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hospitalvespers:

kelseyum asked you: On the topic of help posts, do you have any tips for drawing the head in profile? It’s something I struggle with pretty consistently; for some reason I just can’t understand it. Anything you could say on the subject would be extremely helpful for me! (sorry if this sends twice; tumblr is being super weird!)
Ok, I hope this is helpful! It helps to have a vague guideline/set of rules in mind, and this is what I generally thing of. When you’re drawing the skull in profile, you can basically draw it in a box and then divide it into four quadrants. The ear is located right in the middle; you can find other things from there. The eye generally lines up with the top of the ear, the nose usually comes from the middle of the eyes/pupil and goes down to about halfway through the quadrant it’s in. The edge of the jaw lines up with the ear. Obviously that’s a super rough guideline, but it can really help you out!
The biggest thing I think people have problems with is making sure you draw enough skull onto the back of the head. That’s why drawing a square helps - if you’re too far from the edge of the square, you don’t have enough skull for a brain, haha.
Once you have that in mind, you can build upon it! Not everyone will fall right into this pattern; some people might have really big ears or ears that are higher/lower, some people have big foreheads, some people have big noses. If you’re really stuck, Google some profiles and try and draw them with these guidelines; it’ll help you figure out what goes where!
*A* Hope that helps a bit!

hospitalvespers:

kelseyum asked you: On the topic of help posts, do you have any tips for drawing the head in profile? It’s something I struggle with pretty consistently; for some reason I just can’t understand it. Anything you could say on the subject would be extremely helpful for me! (sorry if this sends twice; tumblr is being super weird!)

Ok, I hope this is helpful! It helps to have a vague guideline/set of rules in mind, and this is what I generally thing of. When you’re drawing the skull in profile, you can basically draw it in a box and then divide it into four quadrants. The ear is located right in the middle; you can find other things from there. The eye generally lines up with the top of the ear, the nose usually comes from the middle of the eyes/pupil and goes down to about halfway through the quadrant it’s in. The edge of the jaw lines up with the ear. Obviously that’s a super rough guideline, but it can really help you out!

The biggest thing I think people have problems with is making sure you draw enough skull onto the back of the head. That’s why drawing a square helps - if you’re too far from the edge of the square, you don’t have enough skull for a brain, haha.

Once you have that in mind, you can build upon it! Not everyone will fall right into this pattern; some people might have really big ears or ears that are higher/lower, some people have big foreheads, some people have big noses. If you’re really stuck, Google some profiles and try and draw them with these guidelines; it’ll help you figure out what goes where!

*A* Hope that helps a bit!

(via cannibal-party)

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carprediem:

abbydoodles:

Head & neck anatomy sheets by juusan13 | gallery (with larger images)


This is gonna be useful…

(via coffeemustache)

How would you recommend painting things digitally with a more painterly look?

coffeemustache:

sporksmagee:

colours07:

calluvion:

….hmmmmm…

For Photoshop, I just use the program’s default wet media, calligraphy and dry media brushes, and Freakshow’s brushes!

I will do bad things tonight ohohoho

This helps me so much

I need this in my life like seriously 

(Source: payface)

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thessui:

phemiec:

The bottom left one. I sighed. Like I was looking at an adorable pair of otters holding hands or some shit.

these color combinations are such an orgasm to me

oh gob.. so beautiful…

(Source: chinchillaghosts)

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artutorials:

Source

knifeyutensil:

Drawing legs (male)

(via sledgemama)

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eyecager:

Linda Bergkvist’s How to paint realistic hair + her thoughts on skin tones. Right click + Open in New tab to see big size.

Source for hair tutorial.

You can find her How to Paint Realistic Eyes here.

(via thessui)

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eyecager:

Sam Nielson’s Painting Process- Right click+ Open in New tab to see them bigger.

Source: The Art Center blog.

I’m taking his advanced lighting class next term at Schoolism and really excited for it. After that I’m taking more CGMW Environment classes. All of classes. Hopefully whenever Future Poly opens up I want to take some classes with Tom Scholes and a few of the guys who run classes there as well.

(via animationbits)

video

helloyoucreatives:

Amazing time-lapse illustration.

photos

reapersmoon:

man I knew I was doing it right all along maybe

(Source: fyeaharttips, via sledgemama)

photos

thessui:

blue-potato:

fuckingarthowdoesitwork:

Sullivan’s fur tutorials, brush packs, and texture resources.

See the original devART post here: LINK

Download custom Photoshop brushes here: LINK

Sullivan’s Fur/Feathers/Scales wildlife texture brushes: LINK

The eyedropper blending tutorial mentioned in the Q&A: http://youtu.be/XMM3Z7lXPwA

Sullivan says:

The Brushes (Tutorial Part 2)

Hard Round 25 Fading
Take your normal hard brush, make it 25px large. Now go to the Brushes menu and click “Other Dynamics”, and set the Flow jitter to Pen Pressure in the drop down menu.

Hard Round 5 pixels
This is your basic, default hard brush when you load up Photoshop with the regular brushes it should be right at the top… no need to change it!

Airbrush Detail
Load up default Photoshop brushes and scroll down til you see the soft brushes—- pick one that is at least 60px large. Open the Brushes menu and click “Shape Dynamics” and set it to Pen Pressure, then click “Other Dynamics” and have the Opacity and Flow jitters set to Pen Pressure as well.

Tips For Custom Sullivan Fur Brushes

  • these are easiest to use when highlighting, try picking a color that is lighter than the area you are drawing on.
  • the brushes are pressure sensitive, so you’ll want to use these with a tablet. try drawing lightly for softer fur, and push harder for more tufty fur.
  • just scribbling one of these over your drawing will make it look dumb, trust me. try layering the different brushes, or going over with your own brushes to add in your own details for a more realistic look.
  • try playing around in the Brushes menu… color effects can look really neat with these, see what works for you :]

Rules

  • you may NOT attempt to resell or redistribute these brushes; if you want to share these brushes with others just link back to the original deviantART post.
  • please give credit when you use these! i’m not normally fussy about giving credit, but i worked hard on these so it would be appreciated.

szkjdasfag

MIRACLESS

Palette/Color tutorial by neonnoodle

animationbits:

simonist:

[This is off one of Neonnoodle’s posts from SomethingAwful, but it’s such a useful technique I wanna repost it here.]

Here’s one approach I’ve found, which is based on the gamut mask idea, but a little simpler and tuned to working in PS:

1. Start with three color swatches: a red/magenta of some kind, a yellow of some kind, and a blue/cyan of some kind. They don’t have to be crayon-box “red” “yellow” “blue” — the nice thing here is that you can decide how warm or cool you want the overall cast of the color to be. So, for instance, you could pick a cool yellow, a purplish red, and an electric blue. Or a very orange red, a warm yellow, and a greenish blue. Or even substitute green for blue. Experiment here. Even colors which are completely hideous will mellow out, so don’t be afraid.

 

2. Draw your 3 swatches in a tight triangle so that they are bumping up against each other in the center. Then use a smudge tool with scattering on for a blender, and blend the edges of each color into each other:

 
(I also had pressure set so I wouldn’t blend too hard, but that’s optional. Scattering is the important one.)

3. Now you have a neutralized color wheel. The closer toward the center you go, the more neutral the palette becomes:

 
 


(here they all are against 50% gray)


4. Now you can start establishing the values for the colors you might want to use. Use the L (Lightness) with Lab sliders on the color panel (even if you’re using RGB or CMYK color for your document) because “Brightness” (HSB) is a load of horseshit.



5. By the way, here’s what the color wheels from those other colors from the beginning would look like:



And one other with more swatches:

—————————————————————————————

I AM HORRIBLE WITH COLOR PALLETS THIS WILL HOPEFULLY HELP ME.

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maruti-bitamin:

Makeshift watercolour tutorial~ (Top left to right)

It became kind of text heavy so I’ve cut it into different parts. Most of it is common knowledge but I hope it answers some questions. C:

(via coffeemustache)

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crateshya:

I’m trying to get better at this I swear…

crateshya:

I’m trying to get better at this I swear…

(Source: mangalho, via sledgemama)

cosmographia:

cliffe:

apogee-maestro:

foervraengd:

kowareta:

ArtsyPoses - Relatively new, but very cool. The 30 second drawing tool seems to be glitching a little but that could be my computer being a dumb. Lots of unique poses and they’re looking to expand to other body types (if you read the FAQ they even said there are too many fit models).

PoseManiacs - Everybody knows this one! Great poses, you can interact with them (rotation, etc) and has a very cool 30 second drawing tool. Also I belieeeve this is available on iOS.

Pixelovey - Another fantastic drawing tool - I prefer it over PoseManiacs’ but I can NEVER FIND THE LINK :( Lots of options here, too.

CedarSeed - The drawings here aren’t great but there is so much information here.

Color Is Value - Handy coloring tips and things!

Ctrl+Paint - So many digital painting tutorials. SO MANY. Ridiculously helpful in everything ever, and constantly updated.

The Angry Animator - Because come on, all sorts of handy animation tips. I linked directly to the walk cycle because I found it to be most useful but there are other things floatin’ around there if that’s your thing~

Constructing the Head/Face - Done by Stanislav Prokopenko, an instructor. Also really seems to know what he’s talking about. Saving images off of Tumblr seems to be hit-or-miss so keep this link handy as it may not save correctly.

Drawing Muscles - Some of you may remember this from all of James Phegan’s classes ever! Super handy, and this is a printable version of the giant jpg he used to e-mail us.

Drawing more Muscles - The same artist; she’s really damn good at drawing beefy dudes.

Drawing People in Perspective

Nude models and drapery

Nude models in all sorts of poses

Clothing Styles

Amazing hands

Coelasquid’s “manbucket”

Haaands

HAAANDS

Color Scheme Designer - Allows you to quickly and easily create specific color schemes for a wide variety of purposes! If you’re like me and terrible with color, this will help.

Things to keep in mind while gesture drawing

Super Obvious Secrets I Wish They’d Teach In Art School

The Complete Guide to Not Giving a Fuck

How to Steal Like an Artist

Ten art books that we should all own already

FOREVER NEVER NOT REBLOG THIS OH GAWD<3

PRAISE THE LAWD

arrrrrrrt

BEAUTIFUL! 

(Source: addark, via sledgemama)